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From Peru by William Prescott, 1900.

The deity whose worship they especially inculcated, and which they never failed to establish wherever their banners were known to penetrate, was the Sun. It was he who, in a particular manner, presided over the destinies of man; gave light and warmth to the nations, and life to the vegetable world; whom they reverenced as the father of their royal dynasty, the founder of their empire; and whose temples rose in every city and almost every village throughout the land, while his altars smoked with burnt-offerings—a form of sacrifice peculiar to the Peruvians among the semi-civilized nations of the New World."

Besides the Sun, the Incas acknowledged various objects of worship in some way or other connected with this principal deity. Such was the Moon, his sister-wife; the Stars, revered as part of her heavenly train—though the fairest of them, Venus, known to the Peruvians by the name of Chasca, or the ''youth with the long and curling locks," was adored as the page of the Sun, whom he attends so closely in his rising and in his setting. They dedicated temples also to the Thunder and Lightning, in whom they recognized the Sun's dread ministers, and to the Rainbow, whom they worshipped as a beautiful emanation of their glorious deity.

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In addition to these, the subjects of the Incas enrolled among their inferior deities many objects in nature, as the dements, the winds, the earth, the air, great mountains and rivers, which impressed them with ideas of sublimity and power, or were supposed in some way or other to exercise a mysterious influence over the destinies of man." They adopted also a notion, not unlike that professed by some of the schools of ancient philosophy, that everything on earth had its archetype or idea, its mother, as they emphatically styled it, which they held sacred, as, in some sort, its spiritual essence. But their system, far from being limited even to these multiplied objects of devotion, embraced within its ample folds the numerous deities of the conquered nations, whose images were transported to the capital, where the burdensome charges of their worship were defrayed by their respective provinces. It was a rare stroke of policy in the Incas, who could thus accommodate their religion to their interests.

But the worship of the Sun constituted the peculiar care of the Incas, and was the object of their lavish expenditure. The most ancient of the many temples dedicated to this divinity was in the island of Titicaca, whence the royal founders of the Peruvian line were said to have proceeded. From this circumstance, this sanctuary was held in peculiar veneration. Everything which belonged to it, even the broad fields of maize which surrounded the temple and formed part of its domain, imbibed a portion of its sanctity. The yearly produce was distributed among the different public magazines, in small quantities to each, as something that would sanctify the remainder of the store. Happy was the man who could secure even an ear of the blessed harvest for his own granary!

But the most renowned of the Peruvian temples, the pride of the capital, and the wonder of the empire, was at Cuzco, where, under the munificence of successive sovereigns, it had become so enriched that it received the name of Coricancha, or "the Place of Gold." It consisted of a principal building and several chapels and inferior edifices, covering a large extent of ground In the heart of the city, and completely encompassed by a wall, which, with the edifices, was all constructed of stone. The work was of the kind already described in the other public buildings of the country, and was so finely executed that a Spaniard who saw it in its glory assures us he could call to mind only two edifices in Spain which, for their workmanship, were at all to be compared with it. Yet this substantial and, in some respects, magnificent, structure was thatched with straw!

The interior of the temple was the most worthy of admiration. It was literally a mine of gold. On the western wall was emblazoned a representation of the deity, consisting of a human countenance looking forth from amidst innumerable rays of light, which emanated from it in every direction, in the same manner as the sun is often personified with us. The figure was engraved on a massive plate of gold of enormous dimensions, thickly powdered with emeralds and precious stones. It was so situated in front of the great eastern portal that the rays of the morning sun fell directly upon it at its rising, lighting up the whole apartment with an effulgence that seemed more than natural, and which was reflected back from the golden ornaments with which the walls and ceiling were everywhere incrusted. Gold, in the figurative language oi the people, was "the tears wept by the sun," and every part of the interior of the temple glowed with burnished plates and studs of the precious metal. The cornices which surrounded the walls of the sanctuary were of the same costly material; and a broad belt or frieze of gold, let into the stone-work, encompassed the whole exterior of the edifice."

Adjoining the principal structure were several chapels of smaller dimensions. One of them was consecrated to the Moon, the deity held next in reverence, as the mother of the Incas. Her effigy was delineated in the same manner as that of the Sun, on a vast plate that nearly covered one side of the apartment. But this plate, as well as all the decorations of the building, was of silver, as suited to the pale, silvery light of the beautiful planet. There were three other chapels, one of which was dedicated to the host of Stars, who formed the bright court of the Sister of the Sun; another was consecrated to his dread ministers of vengeance, the Thunder and the Lightning; and a third, to the Rainbow, whose many-colored arch spanned the walk of the edifice with hues almost as radiant as its own. There were, besides, several other buildings, or insulated apartments, for the accommodation of the numerous priests who officiated in the services of the temple.

All the plate, the ornaments, the utensils of every description, appropriated to the uses of religion, were of gold or silver. Twelve immense vases of the latter metal stood on the floor of the great saloon, filled with grain of the Indian corn, the censers for the perfumes, the ewers which held the water for sacrifice, the pipes which conducted it through subterraneous channels into the buildings, the reservoirs that received it, even the agricultural implements used in the gardens of the temple, were all of the same rich materials. The gardens, like those described belonging to the royal palaces, sparkled with flowers of gold and silver, and various imitations of the vegetable kingdom. Animals, also, were to be found there—among which the llama, with its golden fleece, was most conspicuous—executed in the same style, and with a degree of skill which, in this instance, probably, did not surpass the excellence of the material.

Prescott, William Hickling. Peru. P.F. Collier & Son, 1900.

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