Note: This article has been excerpted from a larger work in the public domain and shared here due to its historical value. It may contain outdated ideas and language that do not reflect TOTA’s opinions and beliefs.
From When I Was a Boy in Japan by Sakae Shioya, 1906.
A Mimic School — Preparations — The School — How Classes Are Conducted — Out of Tune — A Moral Story — School Discipline — Playthings — "Knife Sense."
At the age of six I was sent to school. For some time before the fall opening, I was filled with excitement and curiosity and looked forward to the day with great impatience. As our neighbors were few and scattered and I did not have many playmates, I wondered how I should feel on coming in contact with so many boys, most of whom were older than I. And then there was study. I had a faint idea what a learned scholar such as Confucius was, and felt as if a plunge into school a day or two would half convert me into that obscure ideal.
Weeks before, I insisted on having a mimic school at home to prepare myself a little for the august event, and with my mother as teacher I learned the numerals and the forty-eight letters of the Japanese alphabet by heart. I wished to do just as I would at school, and so I used to go outdoors and with measured steps approach the porch. Entering the house, I sat down before a table and bowed reverentially. When my mother was there before me, I cheerfully began to study, well, for five minutes or so, but when I found her not quite ready I was mercilessly thrown out of humor, and only her exaggerated bows for apology would induce me to dry my sorrowful tears.
The few days before the opening of the school were taken for my preparation. I needed copy-books, a slate, an abacus, which is a frame strung with wires on which are wooden beads to be moved in counting and reckoning, and a small writing-box, containing a stone ink-well, a cake of India ink, a china water-vessel, and brushes. I must have also a round lunch set, the three pieces of which can be piled one upon another like a miniature pagoda, and then, when empty, be put one within another to reduce the size. A pair of chop-sticks went with the set of course. Now all must be purchased new as if everything had a new start. And then a new school suit was procured together with a navy cap. These were all ready a day before, and were exhibited on the alcove.
My younger brother was possessed of the school mania at the sight of these last, and insisted that he would have his set, too. And so mimic ones were procured, and these formed a second row together with his holiday suit.
And then came the night before I was to go. I played the part of a watch-dog by sleeping right near my property. In fact, I went to bed early, but I could not sleep till after everybody had retired for the night. And then I dreamed that my abacus stood up, its beads chattering on how to start the trip in the morning. It was joined by the copy-book, made of soft, Japanese paper, which parted hither and thither in walking, as a lady's skirt, — a Japanese lady's, I mean. The chairman was my navy cap. I did not know how they decided, but they must have come to a peaceful agreement, as they were found, when I awoke in the morning, exactly in the same place, lying quiet.
The next morning I set out with my father for the school. The faces of every one in the house were at the door looking at me. I made every effort to be dignified in walking, but could not help looking back just once, when my face relaxed into a smile, and I felt suddenly very shy. But as I heard my younger brother struggling to get away from my mother to follow me, I hastened my steps to turn round a corner of the road.
The school was a low, dark-looking building, with paper-screened windows all around like a broad white belt, and with a spacious porch with dusty shelves to leave clogs on. When we arrived, we were led into a side room, where we met the master or principal, and soon my father returned home, leaving me to his care. I felt somewhat lonesome with strangers all around, but kept myself as cool as possible, which effort was very much like stopping a leak with the hands. A slight neglect would bring something misty into my eyes.
But now all the boys — and girls, too, in the other room — came into one large room. Some forty of the older ones and fifteen of those who had newly entered took their seats, the older ones glancing curiously at the newcomers. But we were all in back seats and so were not annoyed with looks that would have been felt piercing us from behind. The desk I was assigned to was a miserable one; not only was it besmeared with ink ages old, but cuts were made here and there as if it were a well-fought battle-ground. But I did not feel ashamed to sit there, as I thought that this was a kind of place in which a Confucius was to be brought up.
Looking awhile on what was going on, I found the boys were divided into three classes. The method of teaching was curious; one class alone was allowed to have a reading lesson, while the other two were having writing or arithmetic, that is, the teaching was so arranged that what one class was doing might not disturb the others.
I was struck, even in my boyish mind, with the happy method, and learned the first lesson in management. And then reading was done partly in unison with the master, in a singsong style, and the effect was pleasing, if it was not very loud. The class in arithmetic, on the other hand, sent out a pattering noise of pencils on the slates, which in a confused mass would form an overtone of the orchestra. A writing lesson taken in the midst of such a company was never tiresome. Indeed, anything out of tune would send the whole house into laughter, and such things were constantly happening.
I was not slow in becoming acquainted with the boys. As I went into the playground for the first time, I felt rather awkward to find nobody to play with. But soon two boys whom I knew thrust themselves before me and uncovered their heads. And from that moment the playground became a place of great interest to me. Two friends grew into five, eight, ten, and fifteen, and in three days I felt as if I possessed the whole ground.
As things grew more familiar, I found almost every boy was striving a little bit to be out of tune. When singsong reading was going on, pupils echoing responsively the teacher's voice, some wild boy would suddenly redouble his effort with gusto, and his voice, like that of a strangled chicken, would soar away up, to the great merriment of the rest. And then often a boy, whose mind was occupied with a hundred and one things except the book, engaged in some sly communication with another, unconscious of the teacher's approach, when he would literally jump into the air as the master's whip descended sharply on his desk.
We sat by twos on benches, and when one boy saw his companion carelessly perching on the end of the bench, just right for experimenting the principle of the lever, he would not miss a moment to stand up, presumably to ask some question. But no sooner had he called to the teacher, than the other fellow would shoot down to the floor with a cry, and the bench come back with a tremendous noise. But this was not all. When the boys could not find a pretense to make a noise, they would stealthily paint their faces with writing brushes. Two touches would be enough to grow a thick mustache curling up to the ears. When the teacher faced a dozen of those mustache-wearing boys who were unable to efface their naughty acts as quickly as they had committed them, he could do nothing but to burst into undignified laughter.
One day a strange method of discipline was instituted. The teacher must have been at a loss to bring the urchins to behave well. It was the last hour, the only hour, I think, the boys kept quiet. They did so partly because the course bore the great name of ethics, but more because moral stories were told. And the boys did not care whether the stories were moral or not, as long as they were interesting. Here is one of the twenty-four Chinese stories that teach filial duty:
There was once a boy by the name of Ching who had an old mother. He was a good boy, and did what he could to please her. The mother, however, often asked for things hard to get. One day in winter she wanted some carp for her dinner. It was very cold, and the lake where Ching used to fish was all frozen. What could he do? He, however, went to the lake, looked about the place to find out where the ice was not thick, and, baring himself about his stomach, lay flat to thaw it. It was a very difficult thing to do, but at last the ice gave way, and to his great joy, from the crevice thus made, a big carp jumped out into the air. So he could satisfy his mother's want.
Not only the boys who listened intently, but also the teacher, got interested as the story grew to the climax, and the latter would gesticulate and eventually impersonate the dutiful boy, showing surprise at seeing a carp jumping ten feet into the air. This called forth laughter which was meant for applause. But the teacher soon came to himself and called silence. One day, after telling this story, he said that it was yet half an hour before the time to close, but he would dismiss us. "But,'' he continued, ''you can go only one by one, beginning with those who are quiet and good. This is to train you for your orderly conduct in study-hours, and if any one cannot keep quiet, even for half an hour, he shall stay in his place till he can do so.”
This was a severe test. An early dismissal, even of five minutes before the time, had a special charm for boys, but to-day we could march out half an hour earlier. And then what a lovely day it was in autumn! The warm sun was bright, and the trees were ablaze with golden leaves. Persimmons were waiting for us to climb up and feast on them. After a moment the boys were as still as night. One by one a "good" boy was called to leave; they went like lambs to the door, but no sooner were they out, than some stamped on the stairs noisily and shouted and laughed on the green, which act showed that the teacher did not always pick the right ones.
I naturally waited my turn with impatience. I thought I was a pretty good boy. At least I had Confucius for my ideal, and those who had it were not many. I never did mischief, except once, and that was really an accident. I dropped my lunch-box in my arithmetic class, and chased it, as it had rolled off quite a distance. Half the school laughed at me, and that was all. I was now musing on my ill-luck when a call came to me at last. It was still a quarter of an hour before closing time, and I thought the teacher knew me, after all.
Within a month after I entered the school, I made a new discovery as to a schoolboy's equipments. I had thought that they consisted only of books, copybooks, an abacus, and such things. But these form only a half of them. The other half are hidden to view: they are in the pockets, or in the sleeves, I should have said. During the recess a strong cord will come out and also a top about two and a half inches in diameter, and with an iron ring a quarter of an inch thick. A Japanese top is a mad thing. When it sings out of the hands and hits that of the opponent, sending it off crippled, it makes you feel very happy.
Another thing is a sling. It is as old as the time of David, but it was perfectly new to me. When a pebble shoots out and vanishes in the air, you feel as though you were able to hit a kite circling away up in the sky. And another thing! It is a knife, the broad-bladed one. With it they cut a piece one and a half feet long out of a thick branch of a tree and sharpen one end of it. Selecting a piece of soft ground, the boys in turn drive in their own pieces and try to knock over the others. The game depends much on one's strength and the kind of wood one selects. But there is a pleasure in possessing a cruel branch that will knock off three or four pieces at a blow.
Oh, for a knife and a top! I thought. I disclosed the matter to my mother, who thought a top was all right and bought me one. But as for the knife, she gave me a small one, fit only to sharpen a pencil with. I felt ashamed (I blush to confess, though) even to show it to my schoolmates. If I had had money, I would have given my all just for a knife. But money was a mean thing; the possession of it was the root of all evil — so it was thought, and, indeed, I was penniless. But I must have a decent knife — decent among boys. If I could only get one I would give my Confucius for it.
One day I saw my Kichi — we had kept up our meeting ever since. I talked to him about a knife. He did not tell me how I could get one because I talked only about what the possession of a good knife would mean to a boy. It was a rather general remark, but I disliked to go right to the point. It would be too much to presume on his kindness, you know. And then I rather wanted him to offer. He, however, produced his own favorite knife and cut a thick piece of deal right away to show how sharp it was. Well, I thought he had a knife sense, anyway. So I kept talking about it day after day, and each time I talked of it he showed me his, and tried it on a piece of wood.
One day there was a town festival and in the evening I was allowed to go with Kichi to see it. Kichi's manner that night was very strange; he appeared as if he had a chestful of gold. He asked me in a fatherly manner what I liked, and said he could buy me all the booths if I wished him to. I never felt so happy as then. I thought my patience had conquered him at last. And to make a long story short, I came to own a splendid knife, better than any other boy's at the school! That night I slept with it under the pillow.
The next morning the first thing I did was to go to thank Kichi.
"Hello, Kichi," I shouted. "Thank you very much for the knife."
“Oh, good morning, Bot'chan. Let me see your knife," he said. '' But I am sorry that I played a joke on you last night. It was your mother who paid for it. You must go and thank her for it.”
''Well, never!" I gasped. But being told how she handed him the money when we started, I gave him a slap — a mild one, though — on his face and ran immediately to my mother, thinking that after all she had something more than a mere knife sense.
Shioya, Sakae. When I Was a Boy in Japan. Lothrop, Lee, & Shepard, 1906.
About TOTA
TOTA.world provides cultural information and sharing across the world to help you explore your Family’s Cultural History and create deep connections with the lives and cultures of your ancestors.