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From Dutch Life in Town and Country by P. M. Hough, 1902.

Funeral processions are a very mournful sight on all occasions, but a Dutch funeral depresses one for about a month after. The hearse is all hung with black draperies, while on the box sits the coachman wearing a large black hat called huilebalk. From the rim overlapping the face hangs a piece of black cord. This he holds in his mouth to prevent the hat from falling off his head.

The hearse itself is generally embellished by the images of grinning skulls, though the carriages following the hearse have no distinctive mark. If such a funeral procession happens to come along the road you yourself are going, you may be sure of enjoying its company the whole way, for the horses are only allowed to walk, never trot, and it takes hours to get to the cemetery.

In former days the horses were specially shod for this occasion in such a way that they went lame on one leg. This end was achieved by driving the nail of the shoe into the animal's foot, for people thought this added to the doleful aspect of the cortége as it advanced slowly along the road. Happily, this cruelty is now dispensed with, and indeed is entirely forbidden by the Society for the Prevention of Cruelty to Animals, but the ugly aspect of the hearses remains the same.

At a death, the relatives of the deceased have large cards printed, announcing the family loss.

These cards are taken round to every house in the neighbourhood by a man specially hired for the purpose. This man, called an aanspreker carries a list of the names and addresses of the people on whom he has to leave cards; if the people sending out the cards have friends in any other street of the town, a card is left at every house in that street.

If the deceased was an officer, the cards, besides being sent round in the neighbourhood, are left at every officer's house throughout the town. To whichever profession the deceased belonged, to the people of that profession the cards are sent. A Minister of State or any other person occupying a very high position sends cards to every house in the town and suburbs.

In a village or country place a funeral is rather a popular event, and the preparations for it somewhat resemble the preparations for a feast. This, for instance, is the case in Overyssel.

When one of a family dies, the nearest relatives immediately call in the neighbouring women, and these take upon themselves all the necessary arrangements. They send round messages announcing the death and day of interment; they buy coffee, sugar-candy, and a bottle of gin, wherewith to refresh themselves while making the shroud and dressing the dead body; and the next morning they take care that the church bells are duly rung, and, in the afternoon, when the relations and friends come to offer their condolences, they serve them, as they sit round the bier, with black bread and coffee. When the plates and cups are empty the visitors leave again without having spoken a word.

On the day of the funeral, the guests assemble at two o'clock in the afternoon. They first sit round the tables and eat and drink in silence, and when the first batch have satisfied their appetites they move away and make room for others. After this meal all walk round the coffin, and repeat one after another, "'T was een goed mensch" ("He" or "she was a good man or woman,” as the case may be).

Then the lid of the coffin is fastened down with twelve wooden pegs, which the most honoured guest is allowed to hammer in, and the coffin is forthwith placed on an ordinary farm-cart. The nearest relations get in, too, and sit on the coffin, and the other women on the cart facing the coffin. This custom is adhered to, notwithstanding the prohibition by law to sit on any conveyance carrying a coffin.

The women are in mourning from tip to toe, and closely enveloped in black merino shawls, which they wear over their heads. The men follow on foot, and it is a picturesque though melancholy sight to watch these funeral processions, always at close of day, solemnly wending their way along the road, the dark figures of the women silhouetted against a sky all aglow with those glorious sunsets for which Overyssel is famous.

Hough, P. M. Dutch Life in Town and Country. G. P. Putnam's Sons, 1902.

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